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X-WR-CALDESC:Register Here: https://rssny.org/class-forms/art-lectures-with
 -sylvia-meo.html\n\n“Day’s End” is the name of the new permanent sculpture
  by David Hammons to be placed on the Hudson River\, in the vicinity of th
 e Whitney Museum. It references the history of the Hudson River Piers\, th
 e significance for the LGBTQ community\, as well as previous site-specific
  work by Gordon Matta-Clark\, which investigates urban development. We wil
 l explore this intriguing and complex new art\, as well as other significa
 nt works by one of the most influential African American artist of our tim
 e.\n\n\nDavid Hammons seeks to actively critique the nature of the art wor
 ld and its absurd elitism by eschewing traditional modes of artmaking\, di
 ssemination\, and display. Despite being an influential and highly sought-
 after artist\, he has\, throughout his career\, refused to play by 'the ru
 les' - refusing interviews and requests for exhibitions\, selling work him
 self rather than through a gallery. This iconoclastic approach\, taken in 
 part from his interest in Dadaism and Marcel Duchamp\, has allowed Hammons
  to create work in various mediums that is as powerful as it is subversive
 . Hammons is best known for his work with nontraditional materials and dis
 carded objects that reference and comment on urban African-American experi
 ence. Often referring in his work to the legacy of racism and the damaging
  stereotypes imposed on African-American culture\, Hammons seeks to demyst
 ify and reclaim the objects and the language that gave rise to these narra
 tives. In so doing\, he imbues these 'symbols' with new and transformative
  power.
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TZNAME:EST
DTSTART:20211107T020000
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
RDATE:20221106T020000
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DTSTART:20210314T020000
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UID:11c9742a-f491-4149-a6fa-d00be883028f
DTSTAMP:20260408T054619Z
DESCRIPTION:Register Here: https://rssny.org/class-forms/art-lectures-with-
 sylvia-meo.html\n\n“Day’s End” is the name of the new permanent sculpture 
 by David Hammons to be placed on the Hudson River\, in the vicinity of the
  Whitney Museum. It references the history of the Hudson River Piers\, the
  significance for the LGBTQ community\, as well as previous site-specific 
 work by Gordon Matta-Clark\, which investigates urban development. We will
  explore this intriguing and complex new art\, as well as other significan
 t works by one of the most influential African American artist of our time
 .\n\n\nDavid Hammons seeks to actively critique the nature of the art worl
 d and its absurd elitism by eschewing traditional modes of artmaking\, dis
 semination\, and display. Despite being an influential and highly sought-a
 fter artist\, he has\, throughout his career\, refused to play by 'the rul
 es' - refusing interviews and requests for exhibitions\, selling work hims
 elf rather than through a gallery. This iconoclastic approach\, taken in p
 art from his interest in Dadaism and Marcel Duchamp\, has allowed Hammons 
 to create work in various mediums that is as powerful as it is subversive.
  Hammons is best known for his work with nontraditional materials and disc
 arded objects that reference and comment on urban African-American experie
 nce. Often referring in his work to the legacy of racism and the damaging 
 stereotypes imposed on African-American culture\, Hammons seeks to demysti
 fy and reclaim the objects and the language that gave rise to these narrat
 ives. In so doing\, he imbues these 'symbols' with new and transformative 
 power.
DTSTART;TZID=America/New_York:20220215T180000
DTEND;TZID=America/New_York:20220215T193000
LOCATION:https://rssny.org/class-forms/art-lectures-with-sylvia-meo.html
SUMMARY:The Work of David Hammons: An Art Lecture by  Sylvia Laudien-Meo Le
 cture
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